Collective film (4’25s, 2017).
Small depresses of the everyday objects.
A film by Benoît Labourdette, based on an idea by Nassera Tamer (2’25s, 2020).
Love we live it, it guides us or overwhelms us, we enjoy it or suffer from it... but by the way, what is it, exactly?
A film by Benoît Labourdette (1’37s, 2022).
Recovering your childhood dreams...
Loop video by Benoît Labourdette (1’50s, 2000).
Repetitive synthetic voice that seeks to feel the incarnation behind the abstraction.
A film by Benoît Labourdette (2’18s, 2020).
Why should one have to be imprisoned to be able to love?
A film by Benoît Labourdette (3’52s, 2017).
The remembrance of a drama, and an unexpected confession.
Series of 43 floral photographs.
A plant metaphor for the disturbance of consciousness in situations of power.When I looked at this series of photographs after I’d made it, this floral red button seen in multiple facets, in multiple states of gaze, strangely the other red (…)
About the film « Sands Hotel »?lang=en.I could take it the wrong way, because he is extremely vindictive towards me, and I can see that it is his fantasies that are talking. But, but, he is sincere, honest with himself, with who he is, and I find (…)
Loop video by Benoît Labourdette (1’, 2000).
If there was a personal theme in this film, it should be filling a form, the body. The paradigm shift made by digital on this question of fullness : everything is overflow.
A film by Benoît Labourdette (2’13s, 2009).
Short film of 2’13sec, built on the confrontation of a press article of November 25, 2009 and a shot filmed in public transport in Paris, on the same day. The daily confronted with information. Both, the text and the film, are in reverse, to (…)
A film by Benoît Labourdette (5’11s, 2014).
The myth of scientific progress. According to Albert Bayet.
Video capture of a collective creation directed by Benoît Labourdette. Played on March 26, 2016 at the CNSAD (15 minutes).
“Today, almost everyone takes the stage on digital networks, takes a presence in the gaze of others by self-portraits interposed. What about the place of our lives? What can the theater stage, representation, and poetic gesture put into motion in (…)
A film by Benoît Labourdette (2’27s, 2019).
Dead animals are helplessly witnessing human violence.
Collective film (0’54s, 2019).
How do we find good reasons to leave and fight?
Training day and co-construction of educational tools to work on self-image, designed in collaboration between theMaison de l’image (Noémie Rubat du Mérac, project manager) and Benoît Labourdette. April 26, 2018.Summary of the day on the (…)
A film by Benoît Labourdette (0’20s, silent, 2019).
Is revolution still possible in the age of neuroscience?
A film by Benoît Labourdette (6’11s, 2018).
A traumatic event disrupts the past, the present and the notion of reality.
Pedagogical structure of a workshop.
Violence, and especially “gratuitous” violence, with no obvious explanation and operated by young people who are a priori not concerned, is a fairly central contemporary prevention topic. Based on field experience and professional training that I (…)
Commentary on the text by Eva Doumbia & Kader Attia (2023).
In July 2023, visual artist Kader Attia and director Eva Doumba published a text (in Analyse Opinion Critique) in response to the youth “riots” that followed the killing of young Nahel by a policeman. Their text questions the usefulness of (…)
Collective film (4’36s, 2019).
In a movie theatre, the objects of our daily lives talk about life with social networks.
Issued on February 8, 2023.
Decoding images of violence, a perilous exercise.The tv channel ARTE asked me to participate in one of the programs of the series “Le dessous des images”, on the question of amateur images filmed in contexts of state violence. I speak in the (…)
Loop video by Benoît Labourdette (4’30s, 2000).
From a loop of an ambiance sound of an amateur video, building a digital abstract object, that the soundtrack anthropomorphise.
Training on how to teach about violent images.East Image, Regional Centre for Arts Education and Training in Cinema and Audiovisual, organized on November 9, 2016, with the support of the Conseil régional and the DRAC d’Alsace (…)
A film by Benoît Labourdette (2’48s, 2013).
This old house and this rain remain me a memory from when I was a child, in a classroom...
A film by un ten years old child (9’04s, 2019).
Living in the inner world of a 10-year-old child, through a truculent walk with him in the neighborhood.
The deep waves of an inner storm are born, mysterious and imperceptible, and grow, transform, do not know why.Instrumental music, 2014, 2’23s. Improvisation by Benoît Labourdette (synthesizers).Improvisation carried out in private, (…)
A film by Benoît Labourdette (2’24s, 2009).
Our real, composed of the confrontation of beauty and drama. But the reality of others, too, who live on dramas and are exposed, in the eyes of all, at the moment when they are the most fragile.
Collective film (7’22s, 2017).
Words dance to make racism and discrimination vanish.
A film by Benoît Labourdette (0’30s, muet, 2020).
Who really are the dominant bourgeois?
Collective film (1’36s, 2019).
When technology, money and organization are put at the service of violence.
Critical thinking and creative methods.
Building a critical thinking of the stakes of Virtual Reality (360°) films, through practical application and creativity.This article was originally published in 2020 in « Les cahiers de Louis Lumière n°13 ».Virtual Reality has been (…)
Photographs, paintings, drawings, assemblies and texts by Benoît Labourdette (unless otherwise stated).