Content linked to Wind

A film by Benoît Labourdette (2’59s, 2015).

Meeting between frogs and washing machines. Poetry in everyday life.

Video loop by Benoît Labourdette (1’10s, 2013).

The clouds move slowly, if you look at the sky for a brief moment, but seem to go very quickly if you take the time to look. The relativity of perceived time... And if we superimpose the pictures of themselves over time ? Or rather, if we (...)

A film by Benoît Labourdette (2’18s, 2017).

Diving inside the organic movement of the wind maybe.

A film by Benoît Labourdette (3’19s, 2011).

The trace, in the places, of the stories and dramas that took place there. A reserved parking space, another reserved parking space, empty at the moment we look at them, but which have seen so many people and life stories... who can tell so (...)

A film by Benoît Laboudette (1’59s, 2009).

Let’s imagine for a moment that this hallway is a ski slope...

Walk in the Wind Instrumental Music, 2014, 2’10s. Improvisation by Benoît Labourdette (synthesizer). Improvisation carried out in private, September 24, 2014.

Collective film (2’12s, 2018).

On a beach, the sharing of inanimate summerers’ experiences.

Travel in resonance. Instrumental, 2016, 2’30s . Composition of Benoît Labourdette (synthesizers).

Real sounds remixed, 2000, 3’17s. Composition of Benoît Labourdette (granular treatment).

Film by Benoît Labourdette (2’06s, 2010).

At night, memories emerge. As in a dream, gestures are back in the hands, without even one noticing. It is our body that “records”, that stores, that enrolled in our memory, ’reviewing the film’ the (...)

A film by Benoît Labourdette (3’37s, 2015).

Living the rustle of the world, between vegetal force, air power, and organization, speech and human culture, beyond the borders of all kinds.

The wind in the ears, the clothes that beat, and someone appears. Instrumental, 2014, 4’43s. Composition of Benoît Labourdette (synthesizers).

A film by Benoît Labourdette (1’42s, 2019).

“When the eye, emerging from the darkness, suddenly sees a luminous object, it will seem much larger at first sight than in the long run.” Leonardo da Vinci, Notebooks (optical).

What is an image ? To answer this question, the first question to ask is: Why do we see? How do we see? What do we see? Keeping it simple: at the bottom of our eye, there is a “sensitive area”, which sends information to the brain, which (...)

The drone, this flying camera that comes among us, raises, for a filmmaker, important issues. Military object, object for surveillance and death, object of cartographic ubiquity by multinationals, and soon business purpose, delivery device. (...)

Since 2009, through workshops and filmmaking workshops that I lead, I propose, among others, the following work: shooting through a window, and tell a souvenir in clip. Many movies, beautiful, strong, and have been made​​. From time to time, as (...)

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