Content linked to Work

Voice-over is often discouraged in academic scriptwriting textbooks, which focus on the dramatic situation rather than on an interiority considered potentially boring. And yet, many films, and even “mainstream products”, successfully use (...)

Writing workshop based around photographs. This project was part of the 8th international film festival Filmer le travail in the city of Poitiers and was supported by the CCAS, the works council of EDF. The workshop took place on the 17th and (...)

In collective work, paradoxically, it is when one does not feel reassured that one works best. But how does it work? When we prepare for a job that involves the collective (leading a meeting, training, cultural action, giving a lecture, a (...)

A film by Benoît Labourdette (5’16s, 2011).

A meeting, like a thousand other meetings. No, it is your meeting.

A film by Benoît Labourdette (2’42s, 2018).

Work, potential factor of emancipation that can carry in itself its own reversal.

A film by Benoît Labourdette (2000, 1h03 ’).

Synopsis On digital images digitally reworked where fugitive anonymous silhouettes goes on, a poetic monologue book a disenchanted vision of ghostly ballet of modern life. (Forum des Images)

Two animated films making workshops (filmed and commented drawings) for electric and gas industry workers on the theme of work. As part of its cultural activities, the Caisse Centrale d’Activites Sociales (the EDF works council) questions itself (...)

Public presentation of the film’s creative process “Tell me LED” (Benoît Labourdette, 2015, 65 minutes), Wednesday, October 14, 2015 at 16h. The Méliès Cinema (12 Place Jean Jaurès - 93100 Montreuil - France). Free entry. The Documentary Film meetings (...)

A film by Benoît Labourdette (1’11s, 2018).

When a roll of scotch revolts.

A film by Benoît Labourdette (5’44s, 2018).

Life is freedom and love.

Loop video by Benoît Labourdette (1’10s, 2013).

People sitting, working in a small office, with the background the street behind the window. The superposition of four times by subtracting the pixels can give, if you look at a single character, an opening on the “depth” of the person, thus (...)

’A scenario that gives, on reading, the sensation of the soundtrack of the film, will have a rare, extremely convincing evocative power. Physiological thinking of the scenario A film is, physiologically, an object that addresses only two of our (...)

Building of the website ot ESAV film school - Toulouse (France). A film school ESAV is a public film school of the highest level, which is part of the University of Toulouse Le Mirail. ESAV is directed by Jean-Louis Dufour. It was founded in (...)

“Let’s imagine for a moment that this broom is a human being”, “let’s imagine for a moment that this pavement is a sun”, “let’s imagine for a moment that the night doesn’t exist”... in everyday life, incongruous and surrealistic visions of the world. (...)

My work as an exploration of creative possibilities of mobile crossed the passion of three researchers (and long-time colleagues) : Laurent Creton (economist), Laurence Allard (sociologist) and Roger Odin (semiotics), who asked me to jointly (...)

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