Content linked to Table

A film by Benoît Labourdette (1’55s, silent, 2017, pseudonym: Bob Boss).

When nature brings us back to the Sacred.

A film by Benoît Labourdette (2’55s, 2018).

The effect of submission relationships on the brain.

A film by Benoît Labourdette (53s, silent, 2017, pseudonym: Stéphane G.).

“No one shall be disturbed for his opinions, even religious ones, provided their manifestation does not disturb the public order established by law.”

Film by Benoît Labourdette (3’34 s, 2016).

Reading of the last paragraphs of “’Remembrance of Things Past” by Marcel Proust. Links between literature, painting and movement.

Collective film (3’29s, 2019).

Objects share their vision of ecology and the future.

A film by Benoît Labourdette (9’54s, 2014).

A mystery of the act of painting, unveiled with Richard Texier.

Collective film (5’07s, 2016).

Books and their characters talk to each other, like or dislike their image.

A film by Benoît Labourdette (2’43s, 2005).

In 2005, the cameras appear in the phones, and invite to film the daily. One of the first movies shot on mobile phones.

A film by Benoît Labourdette (3’09s, 2019).

Tribute seen from the sky to the work of Victor Vasarely.

Pocket Films began as a film festival, founded by Benoît Labourdette with Forum des images (Paris, France, 2005-2010), dedicated to the creation of films with cell phones and pocket cameras. Its success made that it has become a common name : we (...)

Hands, or rather the hand, is a subject that matters to movies shot with handheld cameras : the camera in one hand, that films the other hand. With mobile phones, filming his feet was a recurring figure, because when turned on the phone, in a (...)

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