Grey

The beautiful holiday : “Mr. Hulot’s Holiday”’s flashcodes

Manufacture of QR Codes (Flashcodes) extracts of the film “Mr. Hulot’s Holiday” at the scene of the shooting. Cultural ProjectThe association “The beautiful holiday” in Saint Marc sur mer (France), seaside town where was filmed the movie “Mr. (…)

No-identity

A film by Benoît Labourdette (1’, mute, 2017, pseudonym: Norbert).

Identity has other words in it.

Lonelies from the streets

A film by Benoît Labourdette (7’42 s, 2016).

Documentary on the exhibition of photographs “Lonelies from the streets” by Benloÿ, at the chapel of the Jesuits, Chaumont (France).

Racism do not exist

A film by Benoît Labourdette (53s, silent, 2017, pseudonym: John B.).

Write the language differently, reinvent our place in the world.

The others ?

A film by Benoît Labourdette (1’21s, silent, 2017, pseudonym: Jean-Jacques).

To look at each other, to face our violence.

C’est déjà passé

A film by Benoît Labourdette (1’55s, 2022).

Sometimes everything went too fast.

Trailer of the 2021 Women’s International Film Festival

A film by Benoît Labourdette (25s & 8s, 2021).

An all online festival... forty films by women directors from all over the world... a new way of doing... 43rd edition of the International Women’s Film Festival (from April 2 to 11, 2021).Two versions of the trailer of the International (…)

Calligraphy #6

These letters must touch each other, without mixing their bodies.

Santouri

A film by Benoît Labourdette (2’00s, 2016).

As if we vibrated in the strings of the instrument, the Greek Santouri, as if one lived its inner music.

Madeleine

A film by Benoît Labourdette (3’23s, 2010).

Musical nostalgia in the subway in Toronto.

Black and white

A film by Sylviane Bertrand, Benoît Labourdette and Nordine Salhi (1’, silent, 2018).

Calligraphy of bodies, crossing a history of cinema, between black and white.

Calligraphy #1

Calligraphic explorations, unique words inspiring their form of drawing.

Blue Solo

Collective film (2’01s, 2019).

Daytime round in blue: collective creation of images in a relaxing moment. Seeing and seeing each other differently.

M.C.E.

A film by Benoît Labourdette (1’02s, 2019).

Everyone’s utopia is perhaps a drawing centred on trust.

Faces

Video creation by Benoît Labourdette (3’46s, 2014).

Memories, drawned on walls, faces.

First

A film by Benoît Labourdette (6’29s, 2013).

A former disused hotel on the Place du Capitole in Toulouse is the scene of an inner musical divagation.

Contents

A film by Benoît Labourdette (2’24s, 2019, muet).

Why do we let ourselves be photographed?Based on photos of Mark Neville published in Le Monde “M”.

Spectra

A film by Benoît Labourdette, in collaboration with Louise Moaty (3’59s, 2014).

Charlotte Delbo’s words emanate from human traces of people who were living there a few hours earlier.

Type

A film by Benoît Labourdette (55s, silent, 2017, pseudonym: Aristide B.

The same ritual over and over again.

The investigation

A film by Benoît Labourdette (0’56s, silent, 2021).

Postcards scattered on the ground lead us to who we were looking for.

Racism

A film by Benoît Labourdette (1’38s, silent, 2017, pseudonym: Malcolm).

The face of racism are the words.

Mediathemes magazine: “Technologies and contemporary uses of moving images”

Short techno-sociological history of cinema.

Moving images seem so natural and omnipresent that we are sometimes not very aware that they are in fact intrinsically linked to very concrete technologies, which have a strong impact on their content, more than we want to believe. For example, (…)