A film by Benoît Labourdette (5’27s, 2018).
Discovering in the materiality of the world that a work of art is not what it seems.
Screening of « Dead leaf », a film by Benoît Labourdette (8’33, 2012).Dario Apostoli, Italian photographer and filmmaker, organizes, in a small Italian village, Pavullo Nel Frignano, a sort of “cave”, an installation with projections of (...)
A history of Italian cinema, in a route of traveling screenings in the city of Valencia, in the 2014 screenwriters Festival.The theme of Screenwriters Festival in 2014 was the Italian cinema. The festival has asked me a projection path in (...)
A film by Benoît Labourdette (6’11s, 2018).
A traumatic event disrupts the past, the present and the notion of reality.
A film by Françoise Simpère et Benoît Labourdette (2’13s, 2020).
What we know we’ll take with us on the day we die is probably what can feed our life energy.
A film by Benoît Labourdette (2’00s, 2019).
How a love disappointment leads to even more love.
AXA for its international distant insurance AGD (France, Belgium, Spain, Portugal, Italy, Poland, Japan, Korea) , needed to create momentum under its “Corporate meeting” in 2012 (international meeting of teams), a dynamic movie to start (...)
Interview with Benoît Labourdette by Roger Odin for Bianco e nero magazine (2010).
The film theorist Roger Odin (1939-2023) saw in the arrival of video in cell phones “for the first time in the history of cinema, the establishment of cinematic language as ordinary language”. He interviewed me about this in 2010.As early as (...)
Photographs, paintings, drawings, assemblies and texts by Benoît Labourdette (unless otherwise stated).