Innovation

Innovation © Benoît Labourdette.

“Innovation” is a singularly overused word, which is often used to justify change for change’s sake, the new without thinking. Innovation is often linked to ephemeral and superficial fashions.

But innovation (i.e. “introducing something new into something established”, its first use from the 14th Century onwards being in the legal field) is in my opinion a fundamental and vital dynamic: it is a listening to the evolution of the world, to adapt our projects to it, whether in personal, professional, social, material, spiritual or artistic constructions; it is a necessity to be alive, i.e. in movement.

Innovation is not to be confused with disruption, which is the most radical form. Innovation is an energy of renewal, of invention, of creation. Innovation is the energy of change necessary for life. Its value is only very rarely recognized at first glance, because no one has the criteria for judging it yet. Innovation is indispensable, but requires open-mindedness in order to be welcomed.


Poem in automatic writing about « Innovation »
The work also gives the opportunity to approach the social body, subjected to the aggressions induced by human concentration, working conditions and economic necessities. Direction, image, sound by Benoît Labourdette. In 2010, Max Schelser, filmmaker and researcher, accompanied by an international committee, created the MINA (Mobile Innovation Network Aotearoa), which organizes: International Mobile Innovation Screening 2012 (23/11/2012). Distances: a look at a new situation Due to the Covid-19 epidemic, the Pcsti landscape has been living in a time of containment and social distancing since March 17. Presentation textThe first confinement suffered by civil society in France in 2020, then the restrictions of freedom that followed, in general and in particular in the field of cultural actions, led many actors in the field of cinema to innovate in their practices, in order to “make do”, in a state of law that has changed in nature. Chomo (1907-1999) quotes. I do scultpure, painting, music.” For example, these viewer-amateurs could be encouraged (as is done spontaneously for series) to write and translate the subtitles of the films into many languages, and make the films known in other cultures. The dimension of the pleasure of sharing, even with strangers, which brings an experience of unequalled power to the cinema, is being attacked in its most intimate foundations.

Becoming
Suddenly
META
Multiverse
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In process

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Photographs, paintings, drawings, assemblies and texts by Benoît Labourdette (unless otherwise stated).

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