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Classical:NEXT 2018 (Rotterdam, The Netherlands) featured France. Opening evening on May 16, 2018, for 700 professionals from the classical music sector. At the request of Françoise Clerc, head of classical & jazz of the agency Le Bureau (...)

In September 2011, we issued this manual, designed to provide a “toolbox” to the potential participants of the shortest day. We Isabelle Massot and myself, “thrown” on paper a lot of ideas of cultural activities that we had both already made ​​in (...)

Here is the list of events that took place for the first edition of the shortest day in 2011.

Screening of “Barcelona hotel”, a film by Benoît Labourdette (4’48, 2012). “Kino”, organized by Christophe Gauthier in Gap (association “The Cat in the teapot”) proposed its third edition Friday, May 24, 2013, on the theme “8 m2.” My film “Barcelona (...)

In this interview, I explain the reasons that made my interest in creating audiovisual experiences with these objects that were not be made to, and why my interest is growing. Interview conducted by Rodolphe Olcese, from the Agence of short (...)

The Pocket Films Festival (which I founded with Forum des images - Paris, concepted and directed), during its six years of existence (2005 to 2010 at the Forum des Images and the Centre Pompidou, France), built an original editorial, innovative, (...)

Show of the film « Chaque matin » by Benoît Labourdette (5’44, 2013).

A film by Benoît Labourdette (2’07s, 2012).

Everyday life without apparent problems, in this teacher’s room of a high school near Paris. But it conceals dark secrets... a fiction inspired by real events.

Itinerant projection of short films in the buildings of the École Normale Supérieure (Paris). In the context of the dynamics of participatory creation “Filming the words”, that I have set up in 2011 with the Délégation générale à la langue française (...)

We are in a society of words, and in a society of images. Citizens have become producers and broadcasters of their images, as well as being spectators. The images and their circulations modify in depth the psychosocial dimension of our lives. (...)

Shoot movies with mobile phones as of 2005, when cameras appear in phones, shoot movies with drones from 2013, when he sold quantities at Christmas, use standalone portable projectors to project movies in the streets, deflect the techniques of (...)

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