A film by Benoît Labourdette (3’09s, 2019).
Tribute seen from the sky to the work of Victor Vasarely.
A film by Benoît Labourdette (1’42s, 2015).
From the sky comes a building, dedicated to the dream.
A film by Benoît Labourdette (1’05s, 2020).
A simple stroll can be an invitation to an immediate dazzling journey.
A film by Benoît Labourdette (5’, silent, 2022).
The wind that drives the clouds is the fluid in my eyes.
A film by Benoît Labourdette (2’23s, 2020).
The child knows her powers.
Artwork digital video. Benoît Labourdette (5’51s, 2014).
Abstract shapes, children color from the sky.
A film by Benoît Labourdette (1’50s, 2020).
Friday, November 13, 2015, Friday, March 13, 2020
A film by Benoît Labourdette (1’43s, 2021).
Sometimes the pieces of the puzzle fit together like a piece of cake... you think you’re touching heaven.
A film by Benoît Labourdette (3’00s, 2015).
Is the world began, or is it an imaginary space, built from a logical matrix ? Questions and answers at a simple crossroads.
A film by Benoît Labourdette film (1’59s, 2009).
Let’s imagine for a moment that this building is a cream cake...
A film by Benoît Labourdette (2’40s, 2021).
Good reasons to be emotional.
A film by Benoît Labourdette (7’, 2017).
To be there without being there, not to be there by being there. To be above all within oneself. Meditate. In the subway.
A film by Benoît Labourdette (3’11s, 2016).
Fantasy of the disappearance of religion.
A contemplative film by Benoît Labourdette, Maëlla Mickaëlle et Jean-Philippe Poirée-Ville (5’01s, 2023).
The gradual appropriation of the sky, to gently touch it, walk in it, live in it.
A film by Benoît Labourdette (2’19s, 2022).
If I had known, if I could have, and yet I was always there.
A film by Benoît Labourdette (5’12s, 2019).
Eat the animals or not? What if the animals speak for themselves?
A film by Benoît Labourdette (4’45s, 2015).
Visual composition, music and sound, from a noisy flying camera, referring to the movie “The Man with a Camera” (Dziga Vertov, 1929).
Un film de Christopher (0’50s, 2009).
Almost without comment, the image speaks alone, its deep and simple language.
A film by Tristan (0’05s, 2009).
So beautiful fragile poetry of the lack of inspiration.
Percussion music, by Benoît Labourdette (2’35s, 2022).
Like being at the bottom of a tunnel, when in fact we’re in the sky.Music from the film « Reflection alone » (Benoît Labourdette, 2’38s, 2022).
Film by Benoît Labourdette (2’46s, 2014).
Erect statues ... Why? How? Where to look?
A film by Benoît Labourdette (1’17s, 2020).
The implacable and secular logic of the administration, the cement of our societies.
A film by Benoît Labourdette (3’31s, 2018).
Contemplating the world through a lens that multiplies it may mean finding oneself in front of oneself, feeling that one is part of the world, and rebuilding oneself in this way.
A film by Benoît Labourdette (3’26s, 2020).
Folds and folds of souls, architectures and life itself, made of synesthetic resonance. Gilles Deleuze adding to Leibniz.
Series of 45 oceanic photographs.
Satellites out of tune, agreeing to spark the imagination.
Inventing art forms, filmed with drone.The Company, place of contemporary art in Marseille, led by Paul-Emmanuel Odin, invited me to offer to local youth, in the central and very popular in Marseille where it is an audiovisual creative (…)
A film by Benoît Labourdette (6’06s, 2023).
It’s incomprehensible that life goes on. To mourn or to bury?
Series of 35 photographs of the air.
The invisible matter is rough and colored.
A film by Benoît Labourdette (2’24s, 2017).
From the stone are born forms, which rise up to heaven, and finally resorb themselves.
A film by Benoît Labourdette (2’01s, 2022).
Step by step, the quest for life, meeting a tragic fate.
Passing by, we stop.
A film by Benoît Labourdette (0’41s, 2019, muet).
The power, impressive, seductive, is no less dangerous.
Plans of the Norman bocage
A film by Benoît Labourdette (2’58s, 2020).
The black magic of statues, to sow fear in us... and thus prevent us from thinking, thus controlling our souls and our actions.
A film by Benoît Labourdette (2’37s, 2021).
To exist, that is to say to declare oneself to oneself, even very discreetly, that changes everything.
Series of 50 automatic photographs.
Photographic, digital and railway mechanics produce images that fix natural phenomena as much as their own coordinated natures. Machines as new natures that transform our gaze.
A contemplative film by Benoît Labourdette and Jean-Philippe Poirée-Ville (3’08s, 2023).
Seeing through the eyes of others, the world becomes different, unpredictable. Reframing towards the future.
A film by Benoît Labourdette - text by Sonia Leplat (1’28s, 2021).
Thinking, overthinking...
Series of 55 photographs taken from the interior space.
Seen from a great height by infrared, the surface of the earth reveals borders invisible to the naked eye, which are the scars of the affronts it has received throughout its history.
A film by Benoît Labourdette (2’06s, 2023).
Attempting to connect with the imperceptible essential.
A film by Richard Texier and Benoît Labourdette (8’51s, 2014).
Film Richard Texier’s paintings with a drone...
Electronic birds fly in an imagined sky.Instrumental, 2014, 5’39s . Composition of Benoît Labourdette (synthesizers) .
A film by Benoît Labourdette (2’05s, 2023).
Life after.
It does it every night, imperturbably, and yet what happens at that moment is always indescribable. Like a point of contact with the existence of the universe.
A film by Benoît Labourdette (2’37s, 2020).
A chance for introspection, class privilege.
A film by Benoît Labourdette (3’19s, 2011).
The trace, in the places, of the stories and dramas that took place there. A reserved parking space, another reserved parking space, empty at the moment we look at them, but which have seen so many people and life stories... who can tell so much, (…)
Series of 25 fluid photographs.
With half-closed eyes and a vertical movement of the head, an ordinary building is transformed into a playground for the imagination.
A collective movie (2’42s, 2021).
Speaking objects illustrate the eight « cultural rights ».
A film by Benoît Labourdette (2’40s , 2015).
Poetics of road signs in mountainous areas.
Nothing happens, and yet everything happens.
Video loop by Benoît Labourdette (1’10s, 2013).
The clouds move slowly, if you look at the sky for a brief moment, but seem to go very quickly if you take the time to look. The relativity of perceived time...And if we superimpose the pictures of themselves over time ? Or rather, if we (…)
A film by Benoît Labourdette (4’09s, 2014).
Where is our body ?
A film by Benoît Labourdette (2’55s, 2009).
Let’s imagine for a moment that these air launchers are flame throwers...
A film by Benoît Labourdette (4’40s, 2022).
Already in the past, I knew the sadness that would come over me later.
January 16, 2015, showing of a film series program Kaleidoscopes, interspersed with texts I say during projection.Sessions organized by the association Small lantern, also organizer of the Festival Slice of life in Olonne sur Mer (France). (…)
Series of 60 photographs of a danced garden.
The music of nature, the music of the act of cultivating, the music of our movements, the music of looking at and listening to others... the interweaving of Jean-Philippe Poirée-Ville’s garden, Maëlla Mickaëlle’s dance and Benoît Labourdette’s (…)
Video creation by Benoît Labourdette (3’51s, 2014).
The invention of landscape.
Series of 84 photographs on a potter’s wheel.
Through the trees, the dreams and my hands stretched out towards hope, this moon that gives rhythm to our cycles, I would like to invent it, to remake it like clay, to give it life again in my lives.
A film by un ten years old child (9’04s, 2019).
Living in the inner world of a 10-year-old child, through a truculent walk with him in the neighborhood.
Series of 55 animal photographs.
What if we put ourselves in the head of a bird? What if we tried to paint its emotions, its look, its vision of the world?
A film by Benoît Labourdette (2’44s, 2020).
Buildings have been constructed in connection with the sky. What did we lose?
A film by Benoît Labourdette (2’50s, 2018). Soprano: Karina Desbordes.
Unfold the world, feel the music of the past, which can open our perception of present reality.
A film by Benoît Labourdette (2’, 2023).
Nature is a computer.If we think, in philosophical depth, of what nature is, with the DNA code that programs the living, this code itself being modulated by the environment and history, epigenetics, then we can only observe that machines are (…)
Photographs, paintings, drawings, assemblies and texts by Benoît Labourdette (unless otherwise stated).