Content linked to Body

Video creation by Benoît Labourdette (3’18s, 2014).

I have always been very afraid of the inside of the body.

The intersection of the bodies of certain letters is the nature of this writing.

A film by Benoît Labourdette (2’24s, 2015).

Exploration by word and image of the relationship between physical movement and writing.

A film by Benoît Labourdette (1’42s, 2019).

“When the eye, emerging from the darkness, suddenly sees a luminous object, it will seem much larger at first sight than in the long run.” Leonardo da Vinci, Notebooks (optical).

A film by Benoît Labourdette (9’54s, 2014).

A mystery of the act of painting, unveiled with Richard Texier.

Training day and co-construction of educational tools to work on self-image, designed in collaboration between theMaison de l’image (Noémie Rubat du Mérac, project manager) and Benoît Labourdette. April 26, 2018. Summary of the day on the website (...)

Collaborative film (3’04s, 2019).

Kinetic art experiments: drawings, cameras, projectors, human bodies, cameras, musical creations, and especially play and joy.

Rale dialogue. Vocal music, 2015, 3’36s . Composition and interpretation of Benoît abourdette (vocals and kazoo).

Day of intergenerational filmmaking workshops at the Le Garde Chasse theatre-film theatre (Les Lilas - 93). As part of the support for the City of Lilacs’ digital development project, Benoît Labourdette is setting up actions to prefigure and (...)

Video Creation by Benoît Labourdette (2’40s, 2014).

The reality around us is far more fragmented space than it appears in the first instance.

The drone, this flying camera that comes among us, raises, for a filmmaker, important issues. Military object, object for surveillance and death, object of cartographic ubiquity by multinationals, and soon business purpose, delivery device. (...)

The drone is “democratizing”, begins to enter our lives. The world seen from above, the real world through this flying eye, disembodied, as in our vision of virtual worlds... our representation of the world is changing because of this new “look”, (...)

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