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Museum of Man

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We and the others
From prejudice to racism

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The exhibition "Us and the others
prejudice to racism" is part of the

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civic will and commitment
of the Museum of Man.

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Since its renovation, it has been a place
of debate and citizen commitment

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to figure out where we came from.
and where we're going.

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The exhibition was born from the will

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to understand the mechanisms
that lead to racism,

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to understand how historically,
sociologically, psychologically,

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we are led to categorize,
or even exclude others.

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And how these processes,

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since we know them,
can be stopped

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This film workshop
for animated cartoons

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as part of the Exhibition
"We and the Others"

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at the Museum of Man

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was born of a meeting

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between the Museum of Man,

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"Passeurs d'images" network
at Arcadi and myself.

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This public workshop project

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which is being deployed today,

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is the result of a partnership
with the Museum of Man.

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Because the Museum of Mank
had heard of a movie

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co-produced by Arcadi
in the frame of Passeurs d'images

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that questioned the representation
of skin color racism in France.

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And then very quickly was born
the idea to add on

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this element of the exhibition
by mini workshops,

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so artistic practice.

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That is to say
to offer visitors

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more than the interactive version
of the film

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as presented
in the exhibition.

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First of all
we offer people

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to participate in the cutting.

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So we offer them
paper content

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related to the exhibition
"Us and the Others",

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which is the subject of
this grand opening day.

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And so people can use
all the resources we offer them,

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imagine the concept
of their movie,

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and then prepare
the shooting phase,

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where they will animate their papers,
their characters, the words...

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Where they can play with
all the content they cut out.

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The second step,
we offer them

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to come and shoot their movie,

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to animate their film,
which will be a film in sequence shot.

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That means it's edited in the camera,
there is no editing phase.

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And then they animate their movie
as they wish.

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And they shoot it with a tablet
that we put at their disposal.

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Third phase, they're going to be able to
watch their movie

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on a wall of the Atrium,

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and then we broadcast the movie on the
YouTube channel of the Museum of Man

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to be able to make
all the films available,

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but also send the film's link
to each participant,

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so that everyone can get hold of it and
share it on social networks.

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I wasn't expecting to participate
at the workshop,

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I just thought I'd watch
what would happen,

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and finally
we sat down,

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and we had fun.
like we're seven years old.

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I wouldn't have done it spontaneously,
I confess.

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But by letting yourself be drawn away...

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let's go, and we're happy
for participating in this.

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And we're gonna be happy to have
done something

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that a seven-year-old can do,
but which is very important.

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Not only are people happy
to make movies,

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but they're also learning something.
about what a movie is,

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how to give meaning to an image,
how to create meaning.

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Since we're on a specific theme
which is prejudice, racism,

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this is an opportunity for people
to build a speech,

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if you can call it that,
but in audiovisual form.

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I especially liked
the very inventive side

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and very free way that
the workshop allowed.

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And most importantly, it allowed me to see
that the kids were playing along.

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I noticed through this work
that they got into the subject.

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They really worked
on the notion of difference.

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Since they're girls, they have
worked on the girl and boy difference,

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it's the things that make them
work a lot at eight years old.

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But also on the notion
of living together,

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on the notion of loving each other.

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I could see that they really
became aware of the subject's content,

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and above all, what is possible
to do with a drawing

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and the thought that they
built by themselves

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without being told to do this
or to do that.

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I saw it was working,
that it had a real echo in them,

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a real thought that translated
then by drawings, cut-outs

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and a little movie that was built.