Content linked to Face

A film by Benoît Labourdette (1’24s, silent, 2018).

Musical and pictorial exchanges of looks, faces, sexes, bodies, times...

A film by Benoît Labourdette (1’38s, silent, 2017, pseudonym: Malcolm).

The face of racism are the words.

Experimental film by Benoît Labourdette (7’26s, 2015). With Marta Zielinska and Senghte Vanh Bouapha.

A couple of “Living ghosts” emanate from the walls, floors, windows, of an old apartment.

A film by Benoît Labourdette (3’31s, 2018).

Contemplating the world through a lens that multiplies it may mean finding oneself in front of oneself, feeling that one is part of the world, and rebuilding oneself in this way.

A film by Benoît Labourdette (2’24s, silent, 2017, pseudonym: Paul T.).

The construction of sensible reasoning is more complex than simplification.

A film by Benoît Labourdette (2’04s, silent, 2018).

Abyss of pictorial representations over time.

A film by Benoît Labourdette (5’18s, 2009).

Let’s imagine for a moment that this poster is a face...

A film by Benoît Labourdette (1’40s, silent, 2018).

Words and looks cross paths, not believing what they see.

A film by Benoît Labourdette (10’06s, 2015). With Marion Geerebaert.

After the death was sown into arbitrariness, a young woman comes back to haunt her mate.

A film by Benoît Labourdette (1’19s, silent, 2017, pseudonym : Bob).

We can not open our eyes to the evidence.

A face projected on a face, or the mise en abîme of the identity. Images that stay in the head During a workshop day that I conducted as part of the Master Digital Media of the University of Grenoble in November 2016, I photographed the (...)

A film by Benoît Labourdette and Lucie Vedel (36s, mute, 2017).

I love you a little, a lot, passionately...

Video creation by Benoît Labourdette (3’20s, 2014).

The position of the body in architecture is an eternal question for me.

A film by Benoît Labourdette and Lucie Vedel (3’18s, mute, 2017).

In the fault of racism, even the simplest words no longer succeed in forming, the meaning of everything is lost.

A film by Benoît Labourdette (1’42s, silent, 2017, pseudonym: Joset ’).

The spiral of a mind full of unanswered questions.

A film by Benoît Labourdette (1’54s, 2009).

Let’s imagine for a moment that cars don’t exist...

Video creation by Benoît Labourdette (3’46s, 2014).

Memories, drawned on walls, faces.

A film by Benoît Labourdette (2’05s, 2009).

Let’s imagine for a moment that the night doesn’t exist...

Collective film (4’42s, 2016).

Exist? In time, in space, in poetry... in the image?

A film by Benoît Labourdette (3’36s, 2019).

An inaccessible child’s dream, in a lost house in the woods.

A race of glances in all directions. Instrumental music, 2017,4’14s. Improvisation of Benoît Labourdette (synthesizers).

Loop video by Benoît Labourdette (1’10s, 2013).

Sometimes, in the Paris metro, thanks to work, the walls are stripped of their posters for a facelift. So, during the time of repair, there are still traces, such as scratches that make the ancient pieces of posters. No more commercials, but (...)

In collective work, paradoxically, it is when one does not feel reassured that one works best. But how does it work? When we prepare for a job that involves the collective (leading a meeting, training, cultural action, giving a lecture, a (...)

To shoot from our homes, not to shoot our homes. Film what we see from your window and tell an important memory about this image, to share it with others we don’t know. Dare to let ourselves be surprised by the movement of our own thought, and (...)

Hands, or rather the hand, is a subject that matters to movies shot with handheld cameras : the camera in one hand, that films the other hand. With mobile phones, filming his feet was a recurring figure, because when turned on the phone, in a (...)

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