Content linked to Life

A film by Richard Texier and Benoît Labourdette (8’51s, 2014).

Film Richard Texier’s paintings with a drone...

A film by Benoît Labourdette (2’06s, 1999-2019).

A contemplative journey through the energy of light, between nature and electronics.

A film by Benoît Labourdette (2’46s, 2013).

I almost died by breaking the rules to follow my desire. This has not made ​​me more reasonable.

A film by Benoît Labourdette (8’50s, 2013).

The visit of an empty Paris apartment, where several people lived successively. Memory fumes artists Sophie Calle and Boris Lehman.

A film by Benoît Labourdette (2’35s, 2019).

If we each dig a little deeper into our origins, our construction, our experience of the place, what can we understand about ourselves?

Video creation by Benoît Labourdette (3’18s, 2014).

I have always been very afraid of the inside of the body.

A film by Benoît Labourdette (3’31s, 2018).

Contemplating the world through a lens that multiplies it may mean finding oneself in front of oneself, feeling that one is part of the world, and rebuilding oneself in this way.

Loop video by Benoît Labourdette (2’14s, 2000).

Lateral travelling.

A collective film directed by Benoît Labourdette (1’43s, silent, 2017, collective : Alice, Morgane, Romain, Benoît).

The meaning of life on earth, summarized by a few key words.

Loop video by Benoît Labourdette (2’05s, 2000).

Primitive motion pictures.

A film by Benoît Labourdette (3’02s, 2012).

A touch film, made of paper and words.

A film by Benoît Labourdette (1’29s, 2019).

Giving life, being, giving a hand, discovering it.

Loop video by Benoît Labourdette (1’, 2000).

Primitive motion pictures.

A film by Benoît Labourdette (5’44s, 2018).

Life is freedom and love.

A film by Benoît Labourdette (1’22s, 1998).

Ode to childbirth by a young adult.

Production of a collective film by researchers in mathematics.The Laboratory of Probability and Random Models (LPMA) from universities of Paris 6 and 7 invited me to lead the way at the laboratory reentry conference, in a cinematographic way. (...)

Projection of my film Fatigue at Illegal cinema is an original initiative born in Belgrade in 2007, and taken over at the Laboratoires d’Aubervilliers.Note of intent of Illegal cinema:illegal_cinema is a weekly meeting where spectators show (...)

Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)

“Identicals, the daily impressions” : impressions of everyday life, short episodes, less than 2 minutes, kinds “look at stopping” the fleeting moments, which, if one stops for a moment, reveal their depth.The starting point of my use of video (...)

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