Content linked to Television

Attempt to create the “ideal” website for a filmmaker:www.jeanbaptistemathieu.fr.. Jean-Baptiste Mathieu is a prolific director, who has associated his vision with portraits of artists, experimental and musical videos, theatrical.... He has (...)

A film by Benoît Labourdette (5’11s, 2014).

The myth of scientific progress. According to Albert Bayet.

You may already have seen these very ugly horizontal lines on video images, very visible in the movements. Therefore we see from time to time ? Where did they come from ? How to get rid ? We must once again, back to the story to understand the (...)

Collective film (2’34s, 2013).

Not being where you want to be.

5 day course : technical basis, strategy and creativity for new media. The students of the “Licence Pro audiovisual designer director” (University Paul Valéry - Montpellier 3 - France) have a multidisciplinary profile, both artistic and technical. (...)

The Franco-German channel ARTE is, like all TV channels, changing the very nature of its activities. ARTE pioneered early on the web (with ARTE Live Web ARTE creative, etc.). These new programs, these new kinds of relationship to the public, and (...)

The concept of television The goal of “tele-vision” at the beginning, as its name suggests, was able to transmit moving pictures remotely, making “live” that the cinema does not, because you have to develop the film. But how, in the early 20th (...)

Initially questions What is literature ? A look at the real ? A meeting between a filmmaker and a reality ? What is the value of a documentary ? In the quality of spontaneity, the truth of this meeting ? Spontaneity and truth are they two (...)

Training methods “Pocket Films” for movie teachers in Africa. Frame CFI (French Agency Media Cooperation) proposed in the context of the “Images of Africa” ​​formation (training program for careers in television and cinema) a “Pocket Films” course of (...)

In 2000, I designed a series of 12 films to be broadcasted in loops in different precise ways. “2D” Aesthetics of these purely plastic and infographic films is set in relation to the fact that the television screens at the time have lost their (...)

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