Content linked to Pen

Collective film (2’28s, 2017).

Objects, which we imagine have been incarcerated, share their experiences.

Collective film (1’56s, 2016).

From the end of the world, from the end of time, crossings on a terrace.

Collective film (4’22s, 2019).

They lost, or they won, they testify atypically.

Collective film (4’37s, 2019).

Intimate testimonials of objects that feel lonely or abandoned.

Collective film (4’34s, 2016).

In nature, objects share their digital experiences.

Collective film (3’27s, 2015).

In nature, objects sing to give themselves courage.

Collective film (3’10s, 2019).

A revolt of objects against the Internet and its uses.

Collective film (1’45s, 2020).

Harassed or stalker, how the functions lock each other up.

Collective film (4’25s, 2017).

Small depresses of the everyday objects.

Collective film (2’48s, 2018).

Lost things, between the city and nature.

Collective film (2’14s, 2019).

Assuming self-image on social networks: not so easy!

Collective film (0’54s, 2019).

How do we find good reasons to leave and fight?

A film by Benoît Laboudette (1’59s, 2009).

Let’s imagine for a moment that this hallway is a ski slope...

A film by Benoît Labourdette (6’44s, 2016).

Making the teaser of the opera “The Cunning Little Vixen” (production Arcal, directed by Louise Moaty). March 2016. We designed, with the stage director Louise Moaty, the live video stage device of this opera. Logically, the Arcal, producer of (...)

Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)

The films gathered here were made in a collaborative way in 2019 as part of the participatory artistic action DIA LOG, which accompanies the changes in the Les Navigateurs district of Choisy-le-Roi. Immersed in the eyes of the children of the (...)

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