Content linked to Spectator

Newspaper article.

Interview of Benoît Labourdette on the back of the Breton newspaper Le Télégramme, about the platform By my window, by Guenaëlle Daujon..Link to the article on Le Télégramme :https://www.letelegramme.fr/france/benoit-labourdette-nous-sommes-tous-des-pra

Here are some pictures, bulk, events that took place everywhere in France December 21, 2011 as part of the shortest day.

Birth“The shortest day” was born of a dynamic film professionals, who proposed early 2011 to the President of CNC Eric Garandeau, the concept of a national festival of short films, based on the model of the “Music festival” (which is held on June (...)

In September 2011, we issued this manual, designed to provide a “toolbox” to the potential participants of the shortest day.We Isabelle Massot and myself, “thrown” on paper a lot of ideas of cultural activities that we had both already made ​​in (...)

Show of the film « Chaque matin » by Benoît Labourdette (5’44, 2013).

A film by Benoît Labourdette (5’27s, 2018).

Discovering in the materiality of the world that a work of art is not what it seems.

January 14, 2014 at The Concorde cinema in La Roche-sur-Yon, evening carte blanche for OFF Festival, with a screening of : Grow, Dominique Cabrera. Films awards at OFF Festival 2013: Beware of friends (Rémi Douence). I’m not a car nor Vincent (...)

December 5, 2013 at The Renaissance cinema in Fontenay-le-Comte, evening carte blanche for OFF Festival, with a screening of : Grow, Dominique Cabrera. Films awards at OFF Festival 2013: Beware of friends (Rémi Douence). I’m not a car nor (...)

We produce DCP (Digital Cinema Package) of movies, ie digital copies for projection in theaters. Very precise standardsStandards projection in theaters, either at the picture and sound are extremely accurate. This is a great opportunity for (...)

Benoît Labourdette Conference and workshop on the development of image educational practices in the digital era.Each year the association Children of cinema, coordinator of the plan School and cinematographic organizes a national meeting (3 (...)

We are in a society of words, and in a society of images. Citizens have become producers and broadcasters of their images, as well as being spectators. The images and their circulations modify in depth the psychosocial dimension of our lives. (...)

Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)

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