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A film by Benoît Labourdette (2’53s, 2005).

Rediscover the world, between its real and imaginary dimensions, with a new shooting tool.

Film by Benoît Labourdette (1’38s, 2010).

All is only a game. Communicate with fellow via digital networks is part of the game.

A film by Benoît Labourdette (5’18s, 2009).

Let’s imagine for a moment that this poster is a face...

The “chain” of photographic galleries YellowKorner (70 galleries in the world), in partnership with Les films de mon oncle, exposes from april 16th to june 14th 2014 nine photographic prints extracts from films of Jacques Tati : Big Day (1949). (...)

Collective film (2’00s, 2019).

Lost in the City of Science and Industry, objects share their questions about their relationship to images.

A film by Benoît Labourdette (2’08s, silent, 2017).

Prepare for a troubled comeback.

A film by Benoît Labourdette (2’43s, 2005).

In 2005, the cameras appear in the phones, and invite to film the daily. One of the first movies shot on mobile phones.

Realisation of the trailer of Imédiacinéma film festival in Vitrolles, 2013 edition. Directed by Benoît Labourdette (40 seconds, 2013).

A film by Benoît Labourdette (1’25s, 2010).

Hands, or rather the hand, is a subject that matters to movies shot with handheld cameras : the camera in one hand, that films the other hand.

The documentality explosion By Maurizio Ferraris Contrary to the predictions of the past century, we have not witnessed the disappearance of writing but, rather, to its explosion. And more generally to the explosion of the recording. The (...)

The Ministry of Culture and Communication (France) launched in November 2012 a “National Consultation on Arts Education” to “enable all young people, in all territories, access to art and culture, from early childhood to university.” I was one of (...)

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