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Contest 90 second films tell the story and the sensitivity of the city of Le Havre (France). “Movie Le Havre Association” of which I am a member, organized for the first year of a contest of 90 second films on the subject of the city of Le Havre. (...)

Workshops for the production of animated films by visitors to an exhibition. As part of the exhibition“We and the others, biases to racism” at theMusée de l’ Homme in Paris, in partnership withArcadi, within the framework of Passeurs d’images en (...)

Collective film (3’19s, 2018).

The little object people of a building courtyard.

The Swiss Foundation at the Cité Universitaire in Paris (France), proposes, run by students, regular screenings of films. February 12, 2015 meeting devoted to the decade of the Mobile Film Festival, that I presented with Patrizia De Lauretis, (...)

Two animated films making workshops (filmed and commented drawings) for electric and gas industry workers on the theme of work. As part of its cultural activities, the Caisse Centrale d’Activites Sociales (the EDF works council) questions itself (...)

Training methods “Pocket Films” for movie teachers in Africa. Frame CFI (French Agency Media Cooperation) proposed in the context of the “Images of Africa” ​​formation (training program for careers in television and cinema) a “Pocket Films” course of (...)

A film by Benoît Labourdette (1h03’, 2008).

A 30-day diary, 30 shots-sequence. Meetings, people, animals and places, from bottom to top. The search for what is hidden behind the appearances of the trivial. Chance and necessity.

Making collective films in movie theater for high school students. The ACAP (Pôle Image Picardie) proposed to high school students enrolled in the image education programs in 2015 (5 classes), a day to show their work in the cinema of the House (...)

Workshop for making animated films from drawings within the framework of a professional event. Within the framework of the professional evening of the launch of the new national coordination Passeurs d’images (...)

A film by Benoît Labourdette (12’56s, 2016). With Bénédicte Loyen.

Feverish dream in a baroque chapel. A vanitas with words.

Twenty-six films made in three days. Since 2006, barely a year after the appearance of cameras in mobile phones, I teach at the School of Cinema ESAV Toulouse for students in their final year of implementation, offering a “Pocket Films (...)

To make animated films from cut paper. The meetings of image education in Alsace As part of the meetings of image education in Alsace, organized by Vidéo Les Beaux Jours and Alsace cinéma, I participated in the animation of a day of thinking for (...)

“Expanded” visit of the exhibition “We and the others, from prejudices to racism”, Museum of Man, Paris. On 25 June 2017 at 11 am. Unique tour. A guided tour like no other Animated films were produced by the visitors of this exhibition as part of (...)

Cinematographic creativity in the digital age in the Hauts-de-Seine: a “Pocket Films” dynamic for primary school students in three cities. The Canopé branch located in the Hauts-de-Seine department (directed by Alain Sedbon), based on the proposal (...)

The Cinematheque of Martigues offers a program of films by Benoît Labourdette. “From the sensitive to the camera” Benoît Labourdette’s film program, from April 1 to 15, 2017, as part of the exhibition “Films in the Pockets”. Presentation text To (...)

Projection on the ten screens of EP7 - The digital dance hall (Paris, Bibliothèque Nationale de France) of a selection of films by Benoît Labourdette shot with a drone (18-minute loop video), along with other works chosen by the Mobile Camera Club (...)

Pocket Films began as a film festival, founded by Benoît Labourdette with Forum des images (Paris, France, 2005-2010), dedicated to the creation of films with cell phones and pocket cameras. Its success made that it has become a common name : we (...)

Hands, or rather the hand, is a subject that matters to movies shot with handheld cameras : the camera in one hand, that films the other hand. With mobile phones, filming his feet was a recurring figure, because when turned on the phone, in a (...)

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