Content linked to Painting

A film by Benoît Labourdette (1’55s, silent, 2017, pseudonym: Bob Boss).

When nature brings us back to the Sacred.

Video creation by Benoît Labourdette, 3’12s, 2014.

Meet the drawing of small nation on the pavement.

Artwork digital video. Benoît Labourdette (5’51s, 2014).

Abstract shapes, children color from the sky.

A ghost flutters in his place of honor. Instrumental, 2016, 18’01s . Composition and interpretation of Benoît Labourdette (synthesizers). Film co-directed by Alain Fleischer and Benoît Labourdette.

A film by Benoît Labourdette (4’19s, 2018).

“I am absolutely convinced that anyone, without any special knowledge or skills, without having to look at I don’t know what so-called native dispositions, can devote themselves to art with every chance of success.” Jean (...)

Publication of an article in the special addon of ArtPress “Richard Texier, PANTHEO vortex” (June-July 2014). Download complete article (bilingual english-french) ArtPress devoted a special addon to Richard Texier, French painter and sculptor, (...)

Conception, design and production of editorial and exhibition website of painter / filmmaker. www.virginiehoudet.comChallenges and objectives This website was to present an exhibition of paintings. It should also be a place to promote the work (...)

Collective film (3’49s, 2018).

When everyone finds in himself his richness, his inner joy.

Video creation by Benoît Labourdette (3’46s, 2014).

Memories, drawned on walls, faces.

A film by Benoît Labourdette (2’04s, silent, 2018).

Abyss of pictorial representations over time.

A film by Benoît Labourdette (1’24s, silent, 2018).

Musical and pictorial exchanges of looks, faces, sexes, bodies, times...

Series of 100 paintings by Benoît Labourdette (acrylic and mixed media on canvas) format of 100x100cm in format 12x12cm, 2016. Exhibition in the studio of the artist in the fourth quarter 2016. «Initially, I had a film project : work inside the (...)

A film by Benoît Labourdette (1’21s, silent, 2017, pseudonym: Jean-Jacques).

To look at each other, to face our violence.

Collective film (0’54s, 2019).

How do we find good reasons to leave and fight?

Series of 25 paintings on paper 50x65cm. “The coal consumed in the fireplace, which has lasted all spring, is now used to, at the time of the arrival of the summer, write the sensation of time that has gone, a revival that promises, engraving (...)

A film by Benoît Labourdette (3’14s, 2017).

At night, when anxiety is there, if one dares to look beyond the ashes of life, one can see an image of salvation.

A film co-directed by Alain Fleischer and Benoît Labourdette (18’01s, 2016). Music by Benoît Labourdette.

An UAV in the Picasso Museum in Paris just before its reopening in 2014. An unusual visit to a place such that you will never see it again. And Picasso speaks...

A film by Sylviane Bertrand and Benoît Labourdette (1’, silent, 2018).

A simple painting can create controversy in a couple.

Revisit the principles of four-colour printing, with inks and ashes. Fifteen “numerical paintings”. Mechanical colour reproduction does not use the same primary colours as in painting. There are only three: Red, Green and Blue. On computer (...)

A film by Richard Texier and Benoît Labourdette (8’51s, 2014).

Film Richard Texier’s paintings with a drone...

Video creation by Benoît Labourdette (3’47s, 2014).

Humans make maps, marks, before go into action.

A film by Benoît Labourdette (9’54s, 2014).

A mystery of the act of painting, unveiled with Richard Texier.

Film by Benoît Labourdette (8’34s, 2016).

Documentary on the painting exhibition “The wire” by Benoît Labourdette, Paris, October 2016.

Film by Benoît Labourdette (3’34 s, 2016).

Reading of the last paragraphs of “’Remembrance of Things Past” by Marcel Proust. Links between literature, painting and movement.

Loop video by Benoît Labourdette (3’40s, 2000).

Electronic travelling.

A film by Benoît Labourdette (5’27s, 2018).

Discovering in the materiality of the world that a work of art is not what it seems.

Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)

I make short films as a painter makes paintings, usually in a lonely way, away from academic practices of making cinema. Some films are made in a very spontaneous way, others can take years to mature. I explore the meeting between the image and (...)

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