Series of 100 paintings by Benoît Labourdette (acrylic and mixed media on canvas) format of 100x100cm in format 12x12cm, 2016.
Exhibition in the studio of the artist in the fourth quarter 2016.
«Initially, I had a film project : work inside the (...)
Conception, design and production of editorial and exhibition website of painter / filmmaker. www.virginiehoudet.comChallenges and objectives This website was to present an exhibition of paintings. It should also be a place to promote the work (...)
Publication of an article in the special addon of ArtPress “Richard Texier, PANTHEO vortex” (June-July 2014).
Download complete article (bilingual english-french)
ArtPress devoted a special addon to Richard Texier, French painter and sculptor, (...)
Series of 25 paintings on paper 50x65cm.
“The coal consumed in the fireplace, which has lasted all spring, is now used to, at the time of the arrival of the summer, write the sensation of time that has gone, a revival that promises, engraving (...)
“I am absolutely convinced that anyone, without any special knowledge or skills, without having to look at I don’t know what so-called native dispositions, can devote themselves to art with every chance of success.” Jean (...)
Revisit the principles of four-colour printing, with inks and ashes. Fifteen “numerical paintings”.
Mechanical colour reproduction does not use the same primary colours as in painting. There are only three: Red, Green and Blue. On computer (...)
Immersive video installation at Mac Val Museum (Vitry-sur-Seine) and in the Navigators district (Choisy-le-Roi) on September 21 and 22, 2019. Participative artistic action with the children that accompanies the changes in the The Navigators (...)
Roundtable / lectures on the issues of creation in the digital age.
Rouen, 2 December 2014. I participated in the roundtable / lectures as an artist and cultural player. It is obvious, digital upset the issues of artistic creation, whether from (...)
Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)
I make short films as a painter makes paintings, usually in a lonely way, away from academic practices of making cinema. Some films are made in a very spontaneous way, others can take years to mature. I explore the meeting between the image and (...)