Content linked to Nostalgia

Benoît Labourdette is filmmaker, educator, expert in new media, cultural innovation and is a business leader. He was born in 1970. He among others founded the Court Bouillon short films screenings (1988-1997), the video production centre of Paris (...)

A film by Benoît Labourdette (1’22s, silent, 2017, pseudonym: The child).

Leafing through the old photographs of the collective unconscious is to return to oneself.

Un film de Benoît Labourdette (1’50s, 2018).

To cling to pillars planted in the water for centuries, to hope.

A film by Benoît Labourdette (6’29s, 2013).

A former disused hotel on the Place du Capitole in Toulouse is the scene of an inner musical divagation.

Series of photographs. Advertising posters on the walls of cities and transport corridors are to me an extremely aggressive visual factor. I’ve always been dreaming of cities with no evidence other than the architecture itself. On November 8th, (...)

A film by Benoît Labourdette (6’28s, 2016).

Remember the presence of the lost loved one in a hotel room surrounded by sand.

Nocturnal nostalgia which is imagined in the other, and which is born in itself. Instrumental Music, 2017, 4’40s. Improvisation by Benoît Labourdette (piano). Improvisation carried out in private, September 5, 2017 (Benoît Labourdette (...)

A film by Benoît Labourdette (4’36s, 2018).

Contemplative quest for meaning in an abandoned summer camp.

A film by Benoît Labourdette (3’23s, 2010).

Musical nostalgia in the subway in Toronto.

A film by Benoît Labourdette (8’50s, 2013).

The visit of an empty Paris apartment, where several people lived successively. Memory fumes artists Sophie Calle and Boris Lehman.

These 14 musical pieces are the content of my first musical CD, “The erogenous city” (2001), built with real sounds, granularisations and simple percussions. In my way of discovering the musical language, this is the first sign. I used some of (...)

A film by Benoît Labourdette (5’04s, 2016).

A rat race, to mourn the departure of the beloved.

Collective film (3’38s, 2019).

Crossed nostalgias in a cinema theater full of history.

The Festival Takavoir, in Niort, is one of the “good” film festivals shot with Cameras de poche in France. Why “good”? For there is an upstream work, with young and school audiences, an inscription of meaning in the professional fabric of the (...)

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