Show of the video installation « In excelsis » (Jean-Philippe Poirée-Ville, Maëlla-Mickaëlle Maréchal, Benoît Labourdette) in the “Engaged Documentary Festival” - Bretenoux and Teyssieu (Lot - France). At the initiative of Carole Contant, September 25, (...)
An installation of Japanese bowls, lamps installed to decorate the countryside, in the context of “Encounters documentary film” in Mellionnec (Brittany - France).
The movement of these white balls with the wind, with superimposing / subtraction (...)
The deep waves of an inner storm are born, mysterious and imperceptible, and grow, transform, do not know why.
Instrumental music, 2014, 2’23s. Improvisation by Benoît Labourdette (synthesizers).
Improvisation carried out in private, September (...)
The clouds move slowly, if you look at the sky for a brief moment, but seem to go very quickly if you take the time to look. The relativity of perceived time...
And if we superimpose the pictures of themselves over time ? Or rather, if we (...)
One morning, we decide to go on a picnic.
Instrumental music, 2014, 1’07s. Improvisation by Benoît Labourdette (synthesizers).
Improvisation carried out in private, November 14, 2017 (Benoît Labourdette (...)
Second album in 2001, consists of 15 pieces for nightlife, a little claustrophobic in vocal and physical consonances. Composition from actual sound of whispering resonances. Granular soundscape times. Webs of human voice and articulated (...)
Into the International Garden Festival of Chaumont-sur Loire, the landscape architect Jean-Philippe Poirée-Ville has created a vegetable sculpture, in a basement, as a large liana levitating in the dark. I worked on (...)
Video installation in 4 screens : human body - vegetable sculptures - video (a project by Jean-Philippe Poirée-Ville, Maëlla-Mickaëlle Maréchal, Benoît Labourdette).
Four circular screens, looping: The installation is visible online.
Here it is in (...)
Raindrops on the window of a moving train. Plan sets a moving object. Metaphor of cinema: the film set in the device records the movement of the world before. In fact, a train is technically a kind of camera. This is not his first goal (which is (...)
Film shootings with drone during the end of year celebration of Paul Langevin college in Mitry-Mory.
In Mitry-Mory in the Paris region (France), the Concorde cinema (led by Maëlig Cozic-Sova) initiates cultural collaborations with school (...)
Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)
The drone, this flying camera that comes among us, raises, for a filmmaker, important issues. Military object, object for surveillance and death, object of cartographic ubiquity by multinationals, and soon business purpose, delivery device. (...)