5 day course : technical basis, strategy and creativity for new media.The students of the “Licence Pro audiovisual designer director” (University Paul Valéry - Montpellier 3 - France) have a multidisciplinary profile, both artistic and (...)
A film by Benoît Labourdette (2’47s, 2009).
Let’s imagine for a moment that this trash can is a bus...
Video Creation by Benoît Labourdette (2’40s, 2014).
The reality around us is far more fragmented space than it appears in the first instance.
A film by Benoît Labourdette (1’05s, 2020).
A simple stroll can be an invitation to an immediate dazzling journey.
A film by Benoît Labourdette (7’05s, 2015).
The bankruptcy of a movie theater, and the words that accompany indifference.
A film by Benoît Labourdette (5’18s, 2009).
Let’s imagine for a moment that this poster is a face...
A film by Benoît Labourdette (3’36, 2012).
“Break”, this time of the working day in which humans are placed in a non-productive state finally.
Series of 100 event photographs.
The street crackles with the fire that consumes it. It is a powerful breath. And little by little the night is made. The cold comes after the blaze. All is nothing but memory.
Overview of my filmmaking efforts from 1997 to 2017, in relation to technological developments, and the making of a “mental” film.In the framework of a study day entitled “Self-narrative: Tool and features of the” I “on screen, organized by (...)
A film by Benoît Labourdette (3’26s, 2012). Musical improvisation by Olivier Mellano.
We all sat on chairs in classrooms. We make these chairs ? What do they give us ?How they welcome us ? Can we look at them differently than in a utilitarist point of view ? Besides, are they not utilitarian ? They pass, through their design, (...)
A film by Benoît Labourdette (6’41s, 2021).
On the difficulty of writing, of forming a sensitive and true trace of the most intimate and precious things. Immersion in the head of an author in search of the memory of a moment of sensuality.
Filming with a drone singularly change the view of the world, and perhaps the film writing, in political and sensitive aspects.As part of the study day “Framing/deframing Editing/Disediting - The aesthetic challenges of connected audiovisual (...)
Photographs, paintings, drawings, assemblies and texts by Benoît Labourdette (unless otherwise stated).