Content linked to Woman

A face projected on a face, or the mise en abîme of the identity. Images that stay in the headDuring a workshop day that I conducted as part of the Master Digital Media of the University of Grenoble in November 2016, I photographed the (...)

A film by Benoît Labourdette (2’35s, 2019).

If we each dig a little deeper into our origins, our construction, our experience of the place, what can we understand about ourselves?

A film by Benoît Labourdette (0’54s, silent, 2019).

Everything turns away and turns on social networks.

A film by Benoît Labourdette (1’26s, silent, 2017).

Rebuild the maps of the domination systems.

Nine films to present a selection of 2019 winners from the Afnic Foundation for Digital Solidarity. AfnicAfnic is the Internet Registry of domain names in.fr. Its profits are donated to the Afnic Foundation, which supports projects that (...)

A film by Benoît Labourdette (2’13s, 2009).

Short film of 2’13sec, built on the confrontation of a press article of November 25, 2009 and a shot filmed in public transport in Paris, on the same day. The daily confronted with information. Both, the text and the film, are in reverse, to (...)

A film by Benoît Labourdette (2’12s, 2014).

Facets of a vision of the feminine, fragmentary.

A film by Benoît Labourdette (5’44s, 2013).

Charles, 37-year old boy who lost his mother a year ago, sometimes perceive the world in a distorted way, multiplied, time and space losing their reality. A meeting will change his life.

A film by Benoît Labourdette (3’52s, 2017).

The remembrance of a drama, and an unexpected confession.

A film by Benoît Labourdette (12’46s, 2013).

How to share the silent screams, behind families with smooth histories ?

A film by Benoît Labourdette (2’34s, 2013).

The speech of a father to his son for the opening of their next clothing store. Capitalism, sexism...

Making a collective movie by young people at the International Festival of Créteil Women’s Film.The International Festival of Créteil Women’s Film offers annually a filmmaking workshop with mobile phone / camera, I lead. Issues of production (...)

A film by Benoît Labourdette (0’39s, silent, 2019).

Deconstructing sexism and prejudice is also a choice.

A film by Benoît Labourdette (1’, 2019).

Paris as seen by its paper directory in 2019.

A film by Benoît Labourdette (0’54s, silent, 2019, pseudonym: Marc Z.).

Social networks benefit from everything, even human tragedies.

A film by Benoît Labourdette (2’15s, 2005).

Looks and desires in the subway.

A film by Benoît Labourdette (8s, 2020).

Unveiling rich movie programming in 8 seconds.For television broadcasts, it was necessary to have a trailer version of only 8 seconds, for the 42nd edition of the Créteil Women’s International Film Festival.The idea co-constructed between (...)

A film by Benoît Labourdette (53s, silent, 2017, pseudonym: Stéphane G.).

“No one shall be disturbed for his opinions, even religious ones, provided their manifestation does not disturb the public order established by law.”

A film by Benoît Labourdette (5’18s, 2009).

Let’s imagine for a moment that this poster is a face...

The gaze that guides the steps, forward and backward, and these steps bring forth memories.Instrumental Music, 2014, 3’00s. Improvisation by Benoît Labourdette (synthesizers).Improvisation carried out in private, September 18, 2014 (Benoît (...)

A film by Benoît Labourdette (2’12s, 2018).

We’re all taking the same stairs. We meet each other there, every morning and every evening. We’re pretending nothing.

Experimental film by Benoît Labourdette (7’26s, 2015). With Marta Zielinska and Senghte Vanh Bouapha.

A couple of “Living ghosts” emanate from the walls, floors, windows, of an old apartment.

Video-vegetal installation.Into the International Garden Festival of Chaumont-sur Loire, the landscape architect Jean-Philippe Poirée-Ville has created a vegetable sculpture, in a basement, as a large liana levitating in the dark. I worked on (...)

A film by Benoît Labourdette (1’28s, silent, 2020).

Mise en abyme of the presence of human bodies as abstractions, through time, techniques and cultures.

A film by Benoît Labourdette (on a text by Émilie Lamotte, 3’43s, 2019).

The most effective educational principles are not the ones we believe. Discovery of Emilie Lamotte’s sharp and constructive thinking. Émilie LamotteÉmilie Lamotte was a young pedagogue at the beginning of the twentieth century. She is unknown, (...)

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