Content linked to Screen

Animation of a conference by Benoît Labourdette on the issues of the new screens, October 8, 2010.“What is digital ? : The stakes of new screens”: this is the theme of the 3 days of training offered by écla Aquitaine on 6, 7 and 8 October 2010. (...)

Collective film (4’42s, 2016).

Exist? In time, in space, in poetry... in the image?

A film by Benoît Labourdette (2’41s, 2009).

Let’s imagine for a moment that this radiator is a wall...

Collective film (1’35s, 2020).

If we want to go too fast, obsolescence is waiting for us.

Collective film (7’30s, 2019).

Digital things whisper their existence in our ears.

A film by Benoît Labourdette (2’47s, 2009).

Let’s imagine for a moment that this chair is a movie theater...

Collective film (5’52s, 2014).

The unexpected little people of a movie theater.

A film by Benoît Labourdette ( 2’54s , 2015).

The mystery of physiological processes at work in a movie theater.

Collective film (9’45s, 2019).

Where we witness the children’s point of view on their own images, projected, re-filmed.

A film by Benoît Labourdette (2’55s, 2018).

The effect of submission relationships on the brain.

A film by Benoît Labourdette (2’56s, 2019).

A place visited today, empty, where I lived so many things a long time ago.

Collective film (3’21s, 2019).

Musical improvisation with images.

Filmmaking workshop with mobile phone for teenagers in a library.On the occasion of its fifth anniversary, the Library Nelson Mandela in Angers wanted to offer a workshop on the theme “The Library and You”to make films with mobile phones for (...)

Training new media in Picardy. Course open for registration.The training “New media, new writing, new funding” proposed by the University of Picardie and ACAP, from October 26 to 30, 2015 (duration: 30 hours) is aimed at professionals, to (...)

The films called “VR” (Virtual Reality) are films, linear or interactive, shot with 360° cameras, which can be viewed either on screen by moving inside the image with the mouse or the finger, either with a helmet placed in front of the eyes while (...)

In 2000, I designed a series of 12 films to be broadcasted in loops in different precise ways. “2D” Aesthetics of these purely plastic and infographic films is set in relation to the fact that the television screens at the time have lost their (...)

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