’A scenario that gives, on reading, the sensation of the soundtrack of the film, will have a rare, extremely convincing evocative power. Physiological thinking of the scenario
A film is, physiologically, an object that addresses only two of our (...)
Two voices exchange, respond, listen, not always, and sometimes are in unison.
Instrumental Music, 2017, 2’12s. Improvisation by Benoît Labourdette (piano).
Improvisation carried out in private, September 6, 2017 (Benoît Labourdette (...)
One morning, we decide to go on a picnic.
Instrumental music, 2014, 1’07s. Improvisation by Benoît Labourdette (synthesizers).
Improvisation carried out in private, November 14, 2017 (Benoît Labourdette (...)
30-minute performance with a drone, for a filmmaker, a performer and a composer. Benoît Labourdette, Gabriel Beckinger, Philip Griffiths.
The next weekend, Saturday 20 and Sunday 21 December, at 15h and 16h at the Pompidou Center (Paris), come (...)
I have always had a multidisciplinary way of working between artistic creation, diffusion and cultural engineering, management, pedagogy, technology. These different fields interact, complement each other, feed and are in my background very (...)
Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)