Content linked to Sound atmosphere

’A scenario that gives, on reading, the sensation of the soundtrack of the film, will have a rare, extremely convincing evocative power. Physiological thinking of the scenario A film is, physiologically, an object that addresses only two of our (...)

The drone as a tool for sound creation. The Wave Length Festival 12th Festival of the radio and listening (Brest - France), invited me as part of a partnership with INA to lead a masterclass / performance with a drone, which led to the creation (...)

A film by Benoît Labourdette (2’58s, 2013).

Body, space and time A body in the city at night. The body of the eye. The look of the body. The experience of coming and going, which is the breath of a city. Is the time in the city, is a chronological space in the perception that one has ? (...)

A film by Benoît Labourdette (3’36, 2012).

“Break”, this time of the working day in which humans are placed in a non-productive state finally.

A film by Benoît Labourdette (2’15s, 2005).

Looks and desires in the subway.

A film by Benoît Labourdette (2’12s, 2014).

Facets of a vision of the feminine, fragmentary.

A film by Benoît Labourdette (5’16s, 2011).

A meeting, like a thousand other meetings. No, it is your meeting.

I compose the soundtracks and music of most of my movies, and also compose, more rarely, autonomous musical pieces. Free treaming and download.

Musical creations, often improvised, usually made with an analog synthesizer, in public or private. For improvisations, the general principle is to play a single instrument, to create the whole sound live. No pre-existing rhythm on which to (...)

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