The “mobile camera”, or “pen camera”, that everyone has now permanently in the pocket, is a myth that became reality in a few years... In this tidal wave informational become essential to the social and economic development, which place has the moving image, its creation, its dissemination ? which seizes the creative potential and what economic models ? This second edition of “Festival Cameras Mobiles” wishes to inform future of broadcasting in mobility and develop opportunities, creative and economical. A rich opportunity for exchanges and meeting around a shared dynamic, with and for audiovisual professionals from France, abroad and in the Rhône-Alpes Region.
Benoît Labourdette, CEO of “Cameras Mobiles”
MOBILE VIDEOS AND TRANSMEDIA PRACTICES
10am to 11am Conference Laurence Allard, sociologist Lecturer in Communication Sciences, a researcher at the University Paris 3-IRCAV teaches at the University of Lille 3
With 89% of mobile equipped with a camera, the mobile phone is the camera shooting the most widespread in the world with 5 billion textoteurs in the world, it is the technology of reading / writing the most heavily used in the world. It is expected that the use of cameraphone even precedes the use of SMS and voice in the years to come. Mobile practices are not creative by default, but they encounter problems of creation, while expanding the range of actors, spaces and products. By the means of production-distribution of images and text in the hands of more than 6 billion people on the planet, creative practices can emerge as they will re-create, divert or re-define the Routine uses of this technology polyfunctional. And these inventive uses of mobile phone made themselves in the ecosystem of contemporary transmedia practices across fields and records action articulating physical and écraniques spaces, street canvas, local and global. We will report on various projects in their own way deconstruct or reinvent different uses of mobile phones and thereby enrich the emerging forms of creation.
11am to 12pm forms of mobility or artistic creation of mobile applications
By Dominique Cunin, teacher at the Ecole Nationale Superieure des Arts Decoratifs and ESAD
Research and practice being in the field of “new media art” also induce technical investigations: how to make art work for and with these devices? It is to observe the mobile screens as supports creation of interactive works. If the principles of operation of these devices are basically the same as a computer, their form, summarizing most often that of a screen, their size and technical capabilities require specific designs with appropriate tools. Preview a form of interactive contemporary artistic creation on mobile screens and tools.
14h to 16h Presentation of projects by Laurence Allard
In the presence Christopher Kirkley
4:30 p.m. to 6:30 p.m. State of play of the “mobile creation”: history, sociology, practices
Roundtable with the International Research Group Mobile Creation
The first seminar “Mobile Creation” was held in June 2012 in Paris. The three organizers offer at this round table, inventory, rooted in the long history unknown amateur practices, which Roger Odin first gave his titles of nobility. Laurence Allard propose an answer in the exploration of social and creative practice at the time of the internet. Benoît Labourdette return to the act of creation itself, with shooting a participatory film.
20h The mobile cinema in all its forms / projection free entry
The mobile phone that is, or pocket-cam camera is used more and more often, to turn “professional” films, movies, television, or the Internet. In experimental and paradoxical at first, this tool, which is actually more a way of working as a technical tool in itself, leads to a lighter and more flexible more truthful spontaneously, produced works whose form and content are fully imbued with this new approach to creation.
TRANSMEDIA PRODUCTION AND APPLICATIONS
The transmedia in that it invokes a new public circulation either in an audiovisual work, but in a narrative between the various component screens in our media space, which is the actual route path our eyes today convene mobility is an essential body of the device at the time of distribution, but also production. This day is devoted to the role of mobile devices in professional issues, content, production, financing and perspectives. Ie the mobile not as himself, but considered in the overall project.
10am to 13pm Innovative Projects
The Cross Video Days together for 3 years players transmedia / crossmedia Europe in Paris.
With this experience, Bruno Smadja this innovative and creative association of mobile Transmedia projects with European examples. There is on the candidate projects to Cross Video Days (211 projects from 26 European countries) that almost all gives an important role in mobile, especially the smartphone.
Four types can be distinguished:
16h to 17h30 Round Table: New funding models
With Pauline Augrain, project manager, Multimedia Creation for New Media at the National Film Centre and the moving image, Catherine Puthod, special assistant to the Cinema and Audiovisual Rhône- Alps, Tanguy selo, director Imaginove cluster Rhône-Alpes, Guillaume Hellouin and Pascal Le Nôtre, producers.
Transmedia projects involving mobility are atypical projects, new both in their content and in their forms of production. Unique economic models must be invented as transmedia is not the translation of the television and film models.
18h end Pot
These events are free entry
Cameras Mobiles is achieved with the help of the National Film Centre and the moving image and the partnership of the Rhône-Alpes Region, Imaginove, Rhone-Alpes Cinema and economic service Agglo Valence Sud Rhône-Alpes.
In collaboration with the Master Audiovisual and Digital Media Grenoble 3 of the Institute of Communication and Media / Grenoble 3, the School of Art and Design Grenoble and Valence.